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Talks: Dare to be A Webtoonist! by Kwikku

Although it emerged in Indonesia in 2010 through Ngomik.com which once had 2,700 users and 500 comic artists, webtoons (digital comics) in Indonesia are not yet very popular. It is only since 2015 when LINE Webtoon was launched that the potential for creators and the Webtoon market in Indonesia has been increasingly visible. Currently, Line Webtoon has reached 6 million readers, of which Indonesia is the largest market for digital comics. Several Indonesian digital comics have been successful and made into films, namely “Si Juki: Lika-Liku Anak Kos” (2017), “Terlalu Tampan” (2019), and “Eggnoid” (2019). In fact, one Indonesian webtoon, “Virgo and The Sparkling” will soon be adapted into a Korean drama series.

 

Founded in 2013, and attracting 40,000 registered users at its launch, Kwikku has become one of the leading Indonesian Gen Z social storytelling platforms today. Since joining the Falcon Pictures ecosystem in 2019, countless stories, webtoons, and even film scripts published on Kwikku have become successful, published as novels, comics, and films. This discussion is being held to find out the ins and outs of webtoons in Indonesia, and how to become a successful webtoonist.

LPP 1 | SAT, 3 DEC | 14:00 - 15:30

Speaker

Sweta Kartika

Sweta Kartika

Being a comic artist and an illustrator has been Sweta Kartika's aspiration since he was merely a child. Born on 14 April 1986 to an artist father in a small town in Kebumen, Central Java, his childhood plays a crucial role in cultivating imagination and discipline to sharpen his drawing skills from day to day. Subconsciously, it then brought forth a motto in the life of this enthusiast of Indonesian traditional visual arts that "there is no such thing as an instant success".
Having attended formal education for 12 years, Sweta pursued his study under Visual Communication Design Program at Bandung Institute of Technology. It was during this time when he began to deepen visual studies of traditional arts and collaborated with three other friends that share the same vision to set up Wanara Studio, where he manages the comic and illustration division. Upon completing his Bachelor degree in 2008, he went on as a comic artist and illustrator freelance while attending the Master Program of Design at the very same alma mater in 2011 and graduated two years later, prior to the publications of his action comics Nusantaranger and Wanara.
Currently, Sweta is actively advocating Indonesian creative industry as a comic artist and a non• academic educator as well, sharing techniques and procedures of creating a lively story through his self-composed Comic Sense course. Sweta is also compassionate of presenting Pencak Silat through action comics to the global market. Having been told many during his childhood, Sweta grew fond of silat warrior saga and decided to establish Padepokan Ragasukma along with his best friend, Alex Irzaqi, as a means to gather the other silat comic artists.
His masterpiece, Pusaka Dewa, which published under Padepokan Ragasukma depicts a rotten conten• tion of sacred traditional Javanese weapon. It has successfully emerged as the reformer of Indonesian silat comics and has been eventually adapted into a card game entitled Keris Tanding. In conjunction with other ten silat comic artists, Sweta aims to promote Indonesian traditions and culture to the inter• national comic industry.

moderator

Lalu Roisamri

Lalu Roisamri

Lalu Roisamri studied Television Journalism at Gadjah Mada University from 1995 to 1998 before pursuing Film Studies at the Jakarta Art Institute (1998-2000). He became Co-Director of the Jakarta International Film Festival (JIFFest), the largest in Southeast Asia, and a promoter of many new talents in Indonesian cinema in its inaugural year, 1999. He has participated in festival management residencies at the Rotterdam Film Festival in 2001 and the New York Film Festival in 2006. Since 2011, Lalu has actively assisted the Indonesian government in promoting Indonesian films and filming locations in more than 25 international markets. He was the Indonesian Advisor (2016-2017) for the Asia Pacific entertainment technology company, Weying, the fastest-growing unicorn in Chinese history underwritten by Tencent, Wanda, and China Media Capital, to invest in Indonesia. He chaired the Location Promotion Division of Badan Perfilman Indonesia from 2017 to 2022, forming five regional film commissions in Indonesia. He has served as Chairman of the Perkumpulan Semesta Daya Mada (Salaka Credu) since 2020, an organization that focuses on film entrepreneurship and other fields of art, culture, and the creative economy.

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Talks: Ask the Cinematographers with Indonesian Cinematographers Society

A film’s visuals can encapsulate various meanings to be conveyed from the story. During this discussion, the Indonesia Cinematographers Society will share stories about the creative process of Directors of Photography, how to create and execute visual concepts in several Indonesian cinema films to award-winning films at international film festivals.

LPP 1 | FRI, 2 DEC | 13:00 - 15:00

The Indonesian Cinematographers Society (ICS) was inaugurated on January 7, 2014. It is a professional association of cinematographers in the Indonesian film ecosystem. The association was formerly known as Cinematographer Indonesia (SI), but in 2017, it was decided the name would be changed to Indonesian Cinematographers Society (ICS).

 

This organization is expected to 1) advance moving images in science, art, and technology, 2) protect and maintain professionalism in the cinematography department; and 3) preserve the artistic and technological excellence of the Indonesian film ecosystem. The motto of the organization is “Commitment, Progress, Skill”

 

The formation of ICS has long been the dream of previous Indonesian cinematographers, such as Soetomo Gandasoebrata, George Kamarullah, M. Soleh Ruslani, and Sri Atmo. On January 7, 2014, the creation of what they sought became official. The General Meeting of Members of Indonesian Cinematographers (RUA-SI) was held at the Haji Usmar Ismail Film Building and was attended by over seventy members and forty guests. Through this meeting, an executive committee of seven were elected for the 2014-2017 management period: Agni Ariatama, I.C.S, Arief R Pribadi, I.C.S, Arya Tedja, Gunnar Nimpuno, I.C.S, Roy Lolang, I.C.S, Sidi Saleh, and Yudi Datau, I.C.S.

 

During the management of SI/ICS from 2014 to 2017, several programs, including Wedangan and Seminar, were operated. Wedangan was a monthly film screening program, enriched by conversations with cinematographers from related films. “The Killers” (featuring Gunnar Nimpuno), “GIE” (featuring Yudi Datau), “Laura dan Marsha” (featuring Roy Lolang), and “Dilema” (featuring Yudi Datau) were among them. In addition, on the occasion of the first anniversary of the association ‘SATU TAHUN SINEMATOGRAFER INDONESIA,’ a series of events were held at the Gedung Film MT Haryono; specifically, seminars “Batas memberi bentuk pada apa yang tidak terbatas” by Arief R. Pribadi and “Memotret Wajah Tuhan” by Nur Hidayat. In addition, there was a presentation for members regarding the SKKNI.

 

Entering the 2019 to 2022 management period, the Indonesian Cinematographer Society has retained several active members from the previous administration. In the management of this period, ICS has already established a Secretariat on Jl. Damai in Ciganjur, Jagakarsa, South Jakarta. Some new educational programs include Frame by Frame, Kelas Sinematografi, Seminar Titik Nol, Sunset Discussion, and Bicara Sinematografi. Then there are the policy programs, such as the FGD Jam Kerja in collaboration with SINDIKASI and the social program ICS Peduli 2020. In addition, ICS actively sends jury representatives to the Indonesian Film Festival (FFI). Finally, ICS is implementing a system for accrediting degrees.

 

Membership in the Indonesian Cinematographers Society is by invitation, based on the ICS Degree Accreditation Mechanism Guidebook, which is separated into practitioner and academic pathways. Aside from that, ICS continues to educate and discuss cinematography with anyone interested in cinematography.

Speaker

Gunnar Nimpuno

Gunnar Nimpuno

Before being known as a cinematographer for many feature films, Gunnar Nimpuno or familiarly known as Unay - has built up his experience as a videographer in the advertising field for a long time. His experience in this field certainly builds up through his background in visual communication. Apart from feature films, he is also involved in making TV commercials and other visual projects. As for the awards he has won, such as the winner of “Penata Kamera Terpuji” at the Bandung Film Festival for the film Sang Pemimpi (2009) and the winner of the "Pengarah Sinematografi Terbaik" at the Indonesian Film Festival for the film Penyalin Cahaya (2021).

moderator

Gladys

Gladys

Gladys attended the Jakarta Institute of Arts from 2017-2021, where she earned her Arts degree, majoring in cinematography. Even before she graduated, she had already developed her career as a Camera Assistant for various commercial works such as tv commercials, web series, music videos, etc. Apart from that, she also actively takes a role in the education committee of the Indonesian Cinematographers Society in hopes her role could help to enhance the education for cinematography in Indonesia and make it accessible to many aspiring filmmakers.

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Master Class: Character Development in Directing with Ho Yuhang

Ho Yuhang is an award-winning film director from Malaysia that started his career in the 1990s through commercial videos. Ho Yuhang chose to make films with strong characters. In this masterclass program, we will be discussing Ho Yuhang’s directing style and how to do character development for character’s in his films.

LPP 1 | THU, 1 DEC | 15:00 - 17:00

Speaker

Ho Yuhang

Ho Yuhang

Yuhang Ho was born and raised in Petaling Jaya. He took a degree in engineering at Iowa State University, but opted for a career in TV production when he returned to Malaysia. His debut feature MIN in 2003 was financed by television and shot on digital video, but was invited to many film festivals as a film and won the Special Jury Prize at the Festival des 3 Continents in Nantes, France. His subsequent features and shorts have been invited to an ever-widening circle of festivals and have won several more prizes, including the NETPAC Award and the Tiger Award for Best Short at International Film Festival Rotterdam.

moderator

BW Purbanegara

BW Purbanegara

BW Purbanegara is a graduate of the Faculty of Philosophy at Gadjah Mada University and a self-trained filmmaker. His short documentary "Musafir" premiered in Berlinale 2009. His short fiction film "Bermula Dari A" (2011), was premiered in Busan International Film Festival, Clermont-ferrand International Short Film Festival, won Best Short Film Award at Pacific Meridian International Film Festival of Asia Pacific Countries in Vladivostok Russia, won Best Short Film Award in Hanoi International Film Festival, and also awarded Citra Award for Best Short Film in Festival Film Indonesia 2011. His first feature film "Tale of the Otherwords" (2017) won Best Screenplay and Special Jury Award at ASEAN International Film Festival and Awards (AIFFA), and Official Selection at Singapore International Film Festival (SGIFF).

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Discussion Forum: Repositioning Jogja

The discussion will lead to some crucial questions as follows. First, how is JAFF repositioning itself from a niche to an aspiring core film festival in Indonesia and Asia? How could JAFF establish new collaborations with local filmmakers? And how does the local film culture support JAFF as a progressive and sustainable space?

LPP 1 | THU, 1 DEC | 10:00 - 13:00

MOderator

Dyna Herlina

Dyna Herlina

Dyna Herlina Suwarto is a Ph.D. student in the film and television studies programme, at the University of Nottingham and a member of teaching staff at the Universitas Negeri Yogyakarta, Indonesia. She is co-founder of Jogja Netpac Asian Film Festival, Indonesian Film Studies (KAFEIN) and Cinema House (Rumah Sinema) in Indonesia. Her research interest is related to media industries.

participant

Limited only to Jogja based filmmaker and cinephile. 

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Public Lecture: Reflecting Asian Cinema: Recognition or Visibility?

This year, Jogja-NETPAC Asian Film Festival (JAFF) inaugurates its 17th edition since its humble beginnings in 2006.  In the context of development psychology, the seventeenth year commonly signifies crucial physiological and psychological human development. It is closely associated with the peak of adolescence and youth, brimming with energy, curiosity and creativity. The openness that accompanies this age underscores other traits, among which is the unwavering courage to rebel against conventions or established norms.

 

Therefore, taking inspiration from human development, JAFF presents ‘Blossom’ as the festival theme to mark its coming of age.  Moreover, ‘Blossom’ symbolizes renewal during the seemingly unending pandemic in terms of mode of film production, artistic and thematic explorations and the emerging of new talents in Asian film landscape. In particular, ‘Blossom’ offers new hopes and dreams for Asian cinema in an era marked by the high risk, volatility and uncertainties in many aspects of our lives. In the process of maturing into a full blossom, the future is bursting with possibilities.  

 

Moving beyond global recognition and gaining many accolades, Asian cinema has entered into a new stage characterized by new narratives, themes and styles. This is created by a new generation of Asian filmmakers who have sustained their excellent cinematic achievements while bringing many pressing social and political issues into the spotlight. Through the metaphor of “blossoming”, we are able to identify the refreshing and continuously inventive Asian cinema.

LPP 1 | WED, 30 NOV| 15:00 - 17:00

Speakers

Isabelle Glachant

Isabelle Glachant

Isabelle Glachant started as a journalist for French TV station Canal + and began her career in cinema as executive producer of SHANGHAI DREAMS (WANG Xiaoshuai, Cannes Film Festival, Jury Prize, 2005). Since then, she participated in several of WANG Xiaoshuai‘s films, including 11 FLOWERS the first official French-Chinese co-production, and worked with directors like LI Yu, LU Chuan or LOU Ye. Glachant is the founder behind Hong-Kong based production company CHINESE SHADOWS and French-based SHASHA & CO PRODUCTION, which produced among others WANG Bing’s THREE SISTERS (Venice Orizzonti Best Film Award, 2012), WANG Xiaoshuai’s documentary CHINESE PORTRAIT (BUSAN IFF 2018) and Mouly Surya’s MARLINA THE MURDERER IN FOUR ACTS (Directors' Fortnight, 2017). Glachant is also the founder of International boutique Sales Company ASIAN SHADOWS that represent films by Asian talents, Masters and new voices, like COMING HOME AGAIN by Wayne WANG, SITI by Eddie CAHYONO or MEMORIES OF MY BODY by Garin Nugroho. Made Knight of the Order of Arts and Letters by the French Ministry of Culture, Glachant is also the Greater China representative for the French Industry Promotion association UniFrance.

Kamila Andini

Kamila Andini

Kamila Andini is a mother and filmmaker based in Jakarta, Indonesia. Her concern of social culture, gender equality and environmental issues lead her passion to make films with a distinctive perspective of telling a story. In 2011, she released her debut feature film ‘The Mirror Never Lies’, which portrays the life of a sea wanderer in the Indonesian ocean. And in 2017, She released her second feature ‘The Seen and Unseen’; a cinematic universe of dualism based on Balinese philosophy Sekala Niskala. Both films had traveled through more than 50 film festivals around the world and received about 30 awards nationally and Internationally, including Grand Prix winner best feature film in Berlinale Generation kplus 2018. Her third feature, ‘Yuni’, was premiered at the Toronto International Film Festival 2021 and won the Platform Prize. Her fourth feature film ‘Nana’ (Before, Now & Then) was selected for the Competition section in Berlinale 2022 and won Best Supporting Performance, and also Best Film in Asia Pacific Screen Award 2022.

Phillip Cheah

Phillip Cheah

Philip Cheah is a film critic and is the editor of BigO, Singapore's only independent pop culture publication. He is currently program consultant and advisor to film festivals in Shanghai (China), El Gouna (Egypt), River Meets Mountain (India), Adoor (India), Yogyakarta (Indonesia), and Hanoi (Vietnam).

He co-founded the South-east Asian Film Festival and the Asia Pacific Screen Lab and is Patron of the SEA (South-east Asia) Screen Academy in Makassar, Indonesia. He is also Spiritual Advisor to the Bakunawa Young Cinema Film Festival, Philippines. He is co-editor of the books, Garin Nugroho: And the Moon Dances; Noel Vera: Critic After Dark and Ngo Phuong Lan: Modernity and Nationality in Vietnamese Cinema. He was given an Honorary Award at the 15th Cinemalaya Independent Film Festival 2019, an award for Achievement in the Promotion of Kyrgyz film by the Kyrgyzstan Film Critics in 2010, an award for promoting Vietnamese film by the Vietnam Cinema Association in 2008, an Award for Asian Cinema at the 8th Cinemanila International Film Festival in 2006, and the Korean Cinema Award at the 9th Pusan International Film Festival in 2004.

Moderator

Budi Irawanto

Budi Irawanto

Budi Irawanto is a Lecturer in Communication Sciences at the Faculty of Social and Political Sciences, Gadjah Mada University (UGM). Apart from being a lecturer, he is also used as a Festival Director at the Jogja-Netpac Asian Film Festival (JAFF) from August 2006 to the present.

Budi graduated with a bachelor of communication from Gadjah Mada University in Yogyakarta, then he continued his studies at the Master of Arts (MA), Media and Information Studies, Curtin University, Australia. In 2015 he won a Doctor of Philosophy (Ph.D.) degree, Southeast Asian Studies at the National University of Singapore / NUS.

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Talks: What Does Film Publicist Do? by thePublicist

Since the Indonesian film ecosystem began to emerge from its hibernation, the existence of publicists has become more apparent. Publicity is undeniably required in introducing a film production to the public. Publicists design publication and promotion strategies, manage media relations and collaborate with screening venues and other related partners. Publicists carry out their roles and responsibilities by collaborating with producers and establishing effective communication channels and relationships with the cast and crew. Publicists must also be eager to analyze public reactions and consistently evaluate ongoing strategies’ efficacy. The Talks program aims to explain the existence, function, and role of advertising in the Indonesian film industry.

LPP 1 | TUE, 29 NOV | 15:00 - 17:00

Speakers

Ifa Isfansyah

Ifa Isfansyah

Ifa Isfansyah graduated from the Television Department of Indonesian Institute of Art Yogyakarta. He began his career in cinema as Producer and Director of several short films, including BE QUIET, EXAM IS IN PROGRESS! (Tokyo ShortShort, Competition, 2006) and HALF TEASPOON (Grand Prize Hong Kong Independent Film Video Award & competition, IFFR 2008). In 2001, he started his company Fourcolours Films with other local filmmakers in order to produce and support Indonesian filmmakers. He was selected by the Asian Film Academy BUSAN in 2006 and got a scholarship to attend the Im Kwon Taek College of Film & Performing Arts, KOREA. Then back to Indonesia, he directed his first feature film, GARUDA DI DADAKU (2009), which encountered a great commercial success. His second film, THE DANCER (2011) was awarded Best Director and Best Picture at the Indonesian Film Festival. Since then he has produced SITI (Eddie CAHYONO, TELLURIDE 2015), TURAH (Wicaksono Wisnu LEGOWO, Indonesian Official Entry for OSCAR 2018), THE SEEN AND UNSEEN (Kamila ANDINI, Grand Prix Generation K-Plus Berlinale 2018), MEMORIES OF MY BODY (Garin NUGROHO, Best Film 3 CONTINENT FF 2018) and YUNI (Kamila ANDINI, Platform Prize Toronto IFF 2021). ISFANSYAH is also a founder of JOGJA-NETPAC Asian Film Festival that started in 2006 and a founder of the JOGJA FILM ACADEMY, which was established in 2014.

Emira Pattiradjawane

Emira Pattiradjawane

Emira Paradytia Pattiradjawane, also known as Mia, graduated from Prof. Dr Moestopo University with a Bachelor of Communication Science (2011) and a Master of Communication Science (2022). In 2006, while she was still in high school, she became an usher at the Konfiden Short Film Festival and thus entered the world of film. After completing high school, she worked as an administrative assistant at the Konfiden Short Film Festival (2006-2009), executive assistant at the scenario school "Serunya Scriptwriting" (2010-2011), and account executive at the PR Agency "Think Opposite" (2011- 2013). Then, from 2013 to 2018, she worked as a project assistant at MediAN Publicist, where she handled several films, including "Ada Apa Dengan Cinta 2" (Riri Riza, 2016), "Kartini" (Hanung Bramantyo, 2016), "Banda: The Dark Forgotten Trail" (Jay Subyakto, 2017), "Wiro Sableng: Pendekar Kapak Maut Naga Geni 212" (Angga Dwimas Sasongko, 2018) and Korea Indonesia Film Festival 2014-2018. She co-founded thePublicist in 2019 with Andi F. Yahya and Frederika K. Dapamanis, a company that has published numerous films, plays, books, and festivals. She is also a member of the 2021-2023 Indonesian Film Festival Committee.

Michael Ratnadwijanti

Michael Ratnadwijanti

Michael Ratnadwijanti started to pursue her career as a film publicist in 2012, by working on some wide screen movie with two of her colleague, which are Ade Kusumaningrum a senior film publicist and Nauval Yazid, the one who took a big role as a festival programmer. Not long after that, with two of her friends, they built MediAN Publicist, a company that takes part in film publicity. with MediAN Publicist, Michael work on promoting and publicizing a various amount of wide screen movie such as, Ada Apa Dengan Cinta 2 (Miles Films, 2016), Kartini (Legacy Pictures, 2017), Kulari Ke Pantai (Miles Films, 2018), dan Wiro Sableng (Lifelike Pictures, 2018).

The start of her career in the film industry is in 2004 by becoming a researcher for a documentor project that is being produced by Salto Films and then she is involved a few times in Jakarta International Film Festival as Public relation and media relation team. Since that moment on, her love and interest for the film industry have brought her consistently to deepen in the film industry as a publicist. right now she officiate as the Head of Marketing, Promotion & Distribution in Miles Films, an independent production house that has been around for more than 25 years and known as an house production that pioneered the birth of indonesia new generation viewers by the legendary movie Petualangan Sherina (2000) dan Ada Apa Dengan Cinta? (2002).

host

Alexander Matius

Alexander Matius

A film curator based in Jakarta. Now, he's a programmer for Kinosaurus and FLIX Cinema and also runs a house tools shop. Matius is also a manager (2014 - 2016) in kineforum, the first alternate movie screening program in Jakarta, other than that he also takes part in few other movie programs, two of which are RRREC Fest in the Valley and Synchronize Fest. Since 2018, he learned a lot about film curator and expedition manager from some workshops, for example like film programming workshop in Japan and Philippines, Art-House Cinema Workshop in Venezia, and Berlinale Talents.

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Book Talks: Maternal Horror (Memaksa Ibu Menjadi Hantu)

“Maternal Horror” was written to look at maternal horror discourse, including female ghosts, in 580 Indonesian horror movies between 1970 and 2020. For more than 51 years, Indonesian horror movies have often portrayed mothers and women as ghosts or other sources of terror in film.

 

“Memaksa Ibu Jadi Hantu” uses the two films as a provision to explore the history of the monstrous mother figure in Indonesian horror films since 1970 (maternal horror films).

 

We will hear a more in-depth discussion of maternal horror in “Memaksa Ibu Jadi Hantu” from the perspective of the author in this literary discussion program, as well as learn about the history of the idea of maternal horror in film from the writer and director.

LPP 1 | MON, 28 NOV | 15:00 - 17:00

Speakers

Anisa Winda Larasati

Anisa Winda Larasati

Annissa Winda Larasati holds a degree in media studies. She earned her master's degree in Cultural and Media Studies from Gadjah Mada University in Yogyakarta. She is currently an adjunct lecturer for Padjadjaran University's Television and Film studies program.

Justito Adiprasetio

Justito Adiprasetio

Justito Adiprasetio is a lecturer at Padjadjaran University's Department of Mass Communication, in the Faculty of Communication. He is currently teaching Media Studies and Popular Culture, which requires him to continually update the contemporary Indonesian film glossary. Justito has written a book on the history of polygamy in Java and is preparing to publish the book entitled "Komunikasi dan Kuasa: Sejarah Pengkajian dan Ilmu Komunikasi Dalam Diskursus Epistemik Indonesia" (Communication and Power: The History of Communication Studies in Indonesian Epistemic Discourse).

Joko Anwar

Joko Anwar

Prior to becoming a filmmaker, Joko Anwar worked as a journalist and film critic. He is now known as a versatile filmmaker whose works range from award-winning arthouse films to box-office hits. His movies include "Kala" and "The Forbidden Door" (which both landed on the BFI's Sight and Sound Magazine's list of the Best Films of the year), "A Copy of My Mind" (Venice, Toronto), the highest-grossing Indonesian film of 2017 "Satan's Slaves", superhero movie "Gundala" (Toronto), and horror hit "Impetigore" (Sundance) which was also Indonesian submission for The Academy Awards. His latest film "Satan's Slaves Communion" (2022), is a critical and commercial smash hit, and is the 3rd highest grossing movie of all time in Indonesia.

Moderator

Elok Santi Jesica

Elok Santi Jesica

Elok Santi Jesica is a lecturer at the Faculty of Social and Political Science, Department of Sociology and assistant lecturer at Gadjah Mada University Graduate School's Masters Program in Cultural and Media Studies. She holds a bachelor's degree in art and design from the State University of Malang and a master's degree in cultural and media studies from the Graduate School of Gadjah Mada University. She is currently enrolled in the Sociology Doctoral Program at Gadjah Mada University. Some of her publications include: "Monumen Ingatan dan Obsesi Perjalanan Seni Rupa Indonesia: Kajian Ruang pada Pameran Tetap Galeri Nasional Indonesia", in the anthology book Politik Ruang: Spasialitas Dalam Konsumerisme, Media, dan Governemntalitas (2021), "Sinema Perempuan Dalam Pandangan Teresa de Lauretis", in the anthology book Melintas Perbedaan: Suara Perempuan, Agensi, dan Politik Solidaritas (2021), and "Selling Spectacular Urban Life: Urban Space and Lifestyle in The Promotion Media of Apartments in Yogyakarta" Vol. 8, No. 1 (2021) Journal of Urban Society Arts co-written with Dr Ratna Noviani, and "e-Figurasi Sosial Dalam Praktik Peminjaman Dana Berbasis Teknologi Media Digital: Studi Kasus Atas Platform Cicil" Vol. 24 No.2 (2022) Jurnal Masyarakat dan Budaya, co-written with Dr Ratna Noviani and Rizki Cesira W.

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JAFF Education: Acting Workshop with Bengkel Acting Kuma

This program is an introduction to basic acting training for participants which will be taught by Kuma Acting Workshop, the material includes theory, taste, and knowledge of actor professionalism in the film industry.

LPP 1 | MON, 28 NOV - WED, 30 NOV | 10:00 - 13:00


Bengkel Akting Kuma

Bengkel Akting Kuma was founded in 2016 by Paul Agusta and Khiva Iskak to address the lack of human resources for acting in Indonesian films. The Bengkel Akting Kuma syllabus was expanded in 2018 with physical and sensory exercises led by Artasya Sudirman and Kiki Narendra. The mentoring team grew in tandem with the increased demand for Bengkel Akting Kuma workshops, and in 2021, alumni Mian Tiara and Brigitta Cynthia joined as Mentors. Bengkel Akting Kuma’s goal remains to train talented, professional, and responsible professional actors.

Speakers

Paul Agusta

Paul Agusta

Paul is a filmmaker, actor, and teacher based in Jakarta. His five feature films and dozens of short films have been shown at various international festivals. Paul is preparing his sixth feature-length film, "Sayembara", which will be released at the end of 2023.

Mian Tiara

Mian Tiara

Mian Tiara is an actress, musician, and screenwriter who learned acting at Bengkel Akting Kuma and has completed several feature films, shorts, series, and stage shows. She received the Citra Award for Best Theme Songwriter at the 2021 Indonesian Film Festival and is also active in the "film industry as a safe place" campaign.

Khiva Iskak

Khiva Iskak

He knew the art of acting on stage since he was eight and loved cinema. Khiva grew up studying theater through the Bengkel Teater Rendra and became exposed to realism with Teater Populer. In 2011 he started his career on the big screen until now. Then, together with Paul Agusta, he founded the Bengkel Akting Kuma in 2016 and already had 14 new batches of aspiring actors.

Artasya Sudirman

Artasya Sudirman

She began her artistic journey in 2002 with Teater Tetas, which led to her first European performance (2012) and her second European tour in 2016, directed by Austrian Werner Schulze. Artasya's first book, "Adriana", was published in 2010, followed by "Singgah" and "Jika". She also participated in a poetry collection, with "Menuai Sajak di Kebun Raya" alongside Sapardi Djoko Darmono. In 2012, she returned to Teater Populer and is still involved in both until this day.

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Talks: Maximizing your Potential by Lumix

One of the hardest part in film making are empower what is there to make a film with a higher value. In this discussion, we will know the tips to maximize the potential that we have in production and creativity. How to, so that we can manage what has been provide and change that into a worldwide film.

LPP 1 | SUN, 27 NOV | 14:00 - 17:00

Speakers

Said Nurhidayat

Said Nurhidayat

Said Nurhidayat is a short film producer based in Yogyakarta. Since 2018, He has produced several films including: "Rest In Peace" competed at the Clermont Ferrand International Short Film Festival in 2019, Rio de Janeiro Curta Cinema in 2019, and was selected at the Indonesian Film Festival in the Best Short Film category in 2019. In 2021, he produced “West Love” , which competed at the Jogja-NETPAC Asian Film Festival in 2021 and was nominated for the Indonesian Film Festival in the Best Short Film category in the same year. Recently, his current short film, "Dancing Colors", was selected to compete at Pardi di Domani, Locarno International Film Festival.

Wahyu Agung Prasetyo

Wahyu Agung Prasetyo

He was born in Jakarta, on Kamis Legi, August 5th, 1993. In his childhood, Agung dreamed of being a pilot and racer. But, when he grew up, he realized that his dream is only a dream. But it inadvertently brought him into an art called film. Jogja is the city that brings him on to film. In 2011, he started his career in making films.

In 2015 he and his friends initiated a video production house because of their awareness that it must have a place to manifest their desires in making films. Now he is focusing on his directing career. Some of his short films have received appreciation from national and international film festivals, including the Jogja-NETPAC Asian Film Festival, Indonesian Film Australian Festival, World Cinema Amsterdam, and the Piala Maya. For him, Jakarta, Movies, and Ravacana are the most important history in his life.

Moderator

Stefanus Cancan

Stefanus Cancan

Stefanus Cancan, is a film producer, director, and founder of Kératif Film School - the organization which focuses on film education in Indonesia. His film Angpao has been nominated for the Best Short Film at Piala Maya and Minikino Bali International Film Festival. Some of his films have been selected and screened in some countries such as the United Kingdom, Berlin, Nigeria, India, South Korea, and Philippines.

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Subtitling Workshop with Servis Bahasa

In this workshop, we want to introduce subtitling for beginners and share our experience in audiovisual translation in Servis Bahasa. As the demand for international distribution within the film industry has grown even stronger, we hope that subtitling can be seen as an art form, as we want to take into account the deeper context within any film through the dialogue interpretation process. By introducing the basic subtitling techniques and an overview of the professional ecosystem, we want to enable participants to add subtitling to their skillset.

LPP 1 | SUN, 27 NOV & SAT, 3 DEC | 10:00 - 12:00

Servis Bahasa:

Servis Bahasa was founded in November 2018 in Yogyakarta. The language service provider was established because of our love and passion for cinema, language and communication. We think a message can transcend beyond words and sentences. It’s also extremely important for us to understand the context of every translation, as a guide in relaying these messages to wider or more specific audiences.

Speakers

Ika Wulandari

Ika Wulandari

She has been working as a filmmaker and subtitler since 2013. Her scope of translation work is dominated by various film related materials such as subtitles, treatments, scripts and project proposals. She has worked as a coordinator and translator, handling film translation projects for non profit organizations such as NETPAC (Network for the Promotion of Asia Pacific Cinema) and In-Docs as well as countless films for Indonesian directors. She has also done television documentary subtitling for NHK World and Channel News Asia. Moreover, she has translated a number of educational and annual report videos for UNFPA, the Australian Government, UN Women, as well as other Indonesian and International NGOs.

Robert Stitson

Robert Stitson

For 3 years Robert worked for Edinburgh International Film Festival and Filmhouse cinema and has lived in Indonesia for almost 5 years. He has extensive experience in English editing for film and audio-visual translation projects for many Indonesian Independent Filmmakers.

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