Master Class with Tsai Ming Liang

Born in Malaysia in 1957, Tsai Ming-Liang premiered his debut feature, Rebels of the Neon God, at the Berlinale in 1992. His sophomore film, Vive L’ amour (1994), won the Golden Lion award at the Venice Film Festival, while The River (1996) won the Jury Award at Berlin, thus solidifying his status as a significant filmmaker. So far, all of his feature films have been selected by the top three film festivals of the world, while five of them have won the FRIPESCI Award. In 2009, Face became the first film to be included in the collection of the Louvre Museum’s “Le Louvre s'offre aux cineastes”.

In recent years, Tsai has also received attention in the art world, having been invited to participate in various art exhibitions and festivals and for putting forth such aesthetic ideas as the “Hand-sculpted Cinema” and “The removal of industrial processes from art making”. In 2012, he began his “Slow Walk” series and has since completed ten films, screened at art festivals and galleries worldwide. In Taiwan, he actively promoted the concept of “Art Museum as Cinema” and “The Author’s Intended Way of Viewing", introducing new film-watching modes to balance the overly commercialized film market.

Tsai is this generation's most sensual, sensitive, and somber filmmaker. He sees the human body as a mysterious, malleable, and vulgar machine and seeks to strip naked its sensory functions through his work. His films, often absent of narrative and dialogue and composed of slow and long takes, present life in its most valid form, showing us humans' helplessness, desire, emptiness, and loneliness. His lens, long fixated on Lee Kang-sheng, is fixated on life itself.