Netflix REEL LIFE Creators Sharing ”The Shadow Strays”
Dive into the making of Netflix Indonesia’s latest original, The Shadow Strays. Join director Timo Tjahjanto and the team behind it as they reveal the thrilling journey of bringing this action-packed film to life.
Schedule
Jadwal
Venue : XXI Studio 2
Date : Sunday, December 1, 2024
Time: 16:00 – 18:00 (WIB)
Admission Fee: FREE
SPEAKER:
PEMBICARA:
Timo Tjahjanto
Director
Timo Tjahjanto is an Indonesian film director, producer, and screenwriter known for his work in the horror and action genres. He has directed notable films such as The Night Comes for Us and May the Devil Take You, as well as the horror thrillers V/H/S/2 and V/H/S/94. Tjahjanto is also half of the filmmaking duo known as the Mo Brothers, alongside Kimo Stamboel. Together, they have written and directed films such as Macabre, Killers, and Headshot. Timo received his education at the School of Visual Arts in Australia and began his career in the film industry as a freelance storyboard artist and photographer. In December 2022, Netflix released his latest work, The Big 4, an Indonesian original film that received positive reviews and was featured on Netflix's Top 10 list globally in 53 countries. Timo is directing Nobody 2, Universal's sequel to the 2021 action hit Nobody. The film stars Bob Odenkirk and Sharon Stone and is produced by 87North.
Daiwanne P Ralie
Co Producer
Daiwanne P. Ralie began her professional career in the Indonesian film industry in 2006 after graduating from Emerson College, earning a master’s degree in film. Mostly action genre films, she has been extensively involved in producing an array of complex projects and in collaboration with visionary directors and esteemed production companies.
Her filmography features some of Indonesia's most celebrated action films, including The Shadow Strays (2024), The Big 4 (2022), Sebelum Iblis Menjemput (2018), Headshot (2016), The Raid 2 (2014), and Merantau (2009)
Batara Goempar
Cinematographer
Marcelinus Batara Goempar Siagian, known as Batara Goempar, stands out in Indonesian cinema as a cinematographer whose evocative visuals and storytelling style have acclaimed each of his projects. In 2022, his work in Before, Now & Then earned him the prestigious Citra Award for Best Cinematography at the Indonesian Film Festival. Batara began his career as a camera stylist in 2005, honing his craft and vision before graduating from the Jakarta Arts Institute in 2009. His acclaimed projects include Posesif, Sebelum Iblis Menjemput, Ali & Ratu Ratu Queens, Cadet 1947, and The Big 4. His most recent project, The Shadow Strays, directed by Timo Tjahjanto, has captivated audiences worldwide since its release on Netflix.
Dinda Amanda
Editor
Dinda Amanda is an outstanding Indonesian film editor, producer, and composer. She won the prestigious Citra Award for Best Picture Editor at the 2011 Indonesian Film Festival for Catatan (Harian) Si Boy and again in 2020 for Perempuan Tanah Jahanam. A graduate of FFTV-IKJ with a major in Editing in 2005, Dinda began her editing career in 2008 and has since established herself as an influential force in Indonesian cinema.
Her work on films like Sekala Niskala, Perempuan Tanah Jahanam, Pengabdi Setan 2: Communion, and The Big 4 has earned her numerous industry awards. Dinda's most recent release, The Shadow Strays, directed by Timo Tjahjanto, showcases her skill on a global scale and is now streaming internationally on Netflix.
Moderator:
Alexander Matius
Program Director JAFF
Alexander Matius is a film curator based in Jakarta and currently serves as the Programme Director for the Jogja-NETPAC Asian Film Festival. He manages content at Visinema while also running his home appliance business. From 2014 to 2016, he was the Manager at Kineforum, Jakarta's first alternative film screening space. He has also worked at Kinosaurus, a microcinema, and FLIX Cinema, a chain cinema while participating in various film screening programs at different events. Since 2018, he has further developed his expertise in film curation and exhibition management by attending workshops, including the Film Programming Workshop in Japan and the Philippines, the Art-House Cinema Workshop in Venice, and Berlinale Talents.
