LAYAR INDONESIANA

Gang Permai Dua

Historia Kreator
Indonesia
15 minutes
2021
Drama, Komedi
Director: Alvin Sani
Writer: Riqhi Alvin Sani
Producer: Vera Isnaini
Cast: Evi Yulianti Endrawan Adhe Teguh

Two families living opposite to each other in an alley unknowingly do things that harm each other such as careless parking, motorbike noises, careless disposal of cat litter, and the pungent smell of garbage. The patience of the two families runs out and causes arguments which causes them not to realize the calamity happened to each of their own nuclear family members.

Dua keluarga yang tinggal berhadapan di suatu gang tanpa sadar melakukan berbagai hal yang saling merugikan; parkir sembarangan, suara berisik motor, kucing peliharaan yang buang kotoran sembarangan, dan bau sampah yang menyengat. Sampai kesabaran diantara keduanya habis dan menimbulkan konflik adu mulut hingga tak menyadari musibah yang terjadi pada masing-masing anggota keluarga terkecil mereka.

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Director’s Profile

Alvin Sani

Riqhi Alvin Sani lahir di Watampone, 30 Juli 1997. Pada tahun 2019, dia berhasil menyelesaikan program studi Film & Televisi di Institut Seni Indonesia Yogyakarta. “Kapten PIxel” adalah karya pertamanya sebagai sutradara yang dijadikan syarat kelulusan di program studi tersebut. Selain itu, ia dikenal sebagai Produser daro film dokumenter pendek yang masuk dalam program Forum Komunitas JAFF 2019 dan memenangkan Gajak Pinilih Award pada acara Ganesha Film Festival.

Alvin was born in Watampone, 30 July 1997. He was graduated from Indonesia Institute of Arts in 2019. His passion is become film director, scriptwriter, and game development. Around his friend from college, he was known for writer of Wasilah (2017), that get AFTA Award for Karya Terpadu. “Kapten Pixel” was his first short film that he become director and producer at once.

Pasukan Semut

Gertak Film
Indonesia
24 minutes
2021
Drama, Keluarga
Director: Haris Supiandi
Writer: Haris Supiandi
Producer: Loeloe Hendra Komara
Cast: Mulyadi

This is a story about a teenager who has to take the risk of being a sugar courier at the border between Indonesia and Malaysia to pay for his mother’s treatment. The border area is located in West Kalimantan. In order to pay for his mother’s treatment, Rizal takes the risk of transporting unauthorised sugar from Malaysia to Indonesia, through back alleys for several days for a large amount of fee, to pay for his mother’s treatment at a hospital in Malaysia and take care of his younger brother. He is accompanied by Iwan and Ajung, transporting unauthorised sugar through the back alleys, but their journey is paused intermittently to keep watch for each other in each border area. They ultimately have to take risks to deliver sugar in pursuit of money.

Seorang remaja yang terpaksa mengambil risiko menjadi pembawa gula perbatasan negara Indonesia dan Malaysia untuk membayar pengobatan Ibunya. Wilayah perbatasan di Kalimantan Barat. Demi bisa membawa ibunya berobat, Rizal mengambil risiko sebagai pengangkut gula ilegal dari Malaysia ke Indonesia, melalui “jalur tikus” selama beberapa hari dengan bayaran yang besar, untuk mengobati ibunya ke rumah sakit di Malaysia dan merawat adiknya. Ia ditemani oleh Iwan dan Ajung selama membawa gula illegal melalui jalur tikus, namun perjalanan mereka terhenti saat mulai berjaga di setiap wilayah perbatasan. Mereka bertiga akhirnya harus mengambil risiko untuk tetap membawa gula agar tetap bisa mendapatkan uang.

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Director’s Profile

Haris Supiandi

Haris Supiandi was born in Pontianak, West Kalimantan. He completed his master’s degree education in 2020 at the Indonesian Institute of The Art (ISI) Yogyakarta majoring in Videography Art Creation program. He has produced films since 2014, besides that he has also produced audio-visual works and done film development activities in West Kalimantan.

Haris Supiandi lahir di kota Pontianak, provinsi Kalimantan Barat. Telah menyelesaikan jenjang pendidikan strata-2 (S2) tahun 2020 di Institut Seni Indonesia (ISI) Yogyakarta pada program studi Penciptaan Seni Videografi . Aktif memproduksi film sejak tahun 2014 hingga sekarang, selain itu juga aktif dalam memproduksi karya audio visual dan kegiatan-kegiatan pengembangan perfiilman di Kalimantan Barat.

ADE: Ride to Nowhere

Hore Pictures
Indonesia
23 minutes
2021
Drama
Director: Khozy Rizal Putra
Writer: Khozy Rizal Putra
Producer: Feranda Aries
Cast: Mega Herdiyanti

Ade, a 35-year-old woman, has just lost her job and has to pay her rent debts immediately. With the help of her best friend Fitri, Ade now works as an online motorcycle taxi driver in a company called CABS. On her first day of work, she encounters a problem. Most of the passengers cancel the booking because Ade is a woman. Ade doesn’t find any luck until she finds out that male drivers kept getting orders. Seeing the situation, A plan emerges in her mind.

Ade, seorang wanita berumur 35 tahun baru saja kehilangan pekerjaannya dan harus membayar tunggakan kosannya dalam waktu dekat. Dengan bantuan sahabatnya Fitri, Ade sekarang bekerja sebagai supir ojek online bernama CABS. Di hari pertama dia bekerja sebagai driver ojek online, dia menemukan kendala. Kebanyakan penumpangnya membatalkan pemesanan karena Ade adalah seorang perempuan. Ade tidak menemukan titik terang hingga dia mengetahui para supir ojek online lain yang laki-laki terus menerus mendapatkan pemesanan. Melihat situasi itu, Ade memiliki sebuah rencana.

Director’s Profile

Khozy Rizal Putra

Khozy Rizal is a film director based in Makassar, Indonesia. His works mostly are commercials but in 2018, he directed his very first short film called Annisa, a one-minute short film that was entirely shot with a smartphone. Annisa was selected at DepicT Showcase in 25th Encounters Film Festival and won Grand Prize International at 14th Mobile Film Festival which he got a grant to produce his new short film, Lika Liku Laki (Makassar Is a City For Football Fans).

Khozy Rizal adalah seorang filmmaker berbasis di kota Makassar. Di tahun 2018, dia menyutradarai film pendek pertamanya berjudul Annisa yang lolos seleksi di seksi DepicT Showcase di Encounters Film Festival, di Bristol, Inggris dan memenangkan Grand Prize International di Mobile Film Festival yang dimana dia mendapatkan dana hibah untuk memproduksi film pendek keduanya berjudul, Lika Liku Laki. Lika Liku Laki memenangkan Jury Prize di Sundance Film Festival 2021: Asia, Best Fiction Short di 7th Minikino Film Week dan mendapatkan nominasi untuk Film Cerita Pendek Terbaik di Festival Film Indonesia 2021.

Radio Pakcik Mahmud

Zettamind Studio
Indonesia
24 minutes
2021
Drama
Director: Pajri Andika
Writer: Pajri Andika
Producer: Je Yatmoko
Cast: Babe Asmawie, Ririn Rahayu, Dian Pratama

Pakcik Mahmud (60 years old) owns a Malay language radio station called “Bertuah FM”. Despite having financial problems he tries to maintain the Malay program on his radio. Almost every night a young man named Mail, a loyal listener, always calls the radio. While having dinner, Aisyah, her eldest daughter, suggests that Pakcik Mahmud accept the offer from Mr. Bambang who wants to purchase “Bertuah FM”. However, it makes Pakcik Mahmud furious and Aisyah thinks that things will be difficult to achieve because Mr. Bambang is a businessman who always thinks about profit and loss. Pakcik Mahmud has to face the harsh reality, when he found out that Aisyah has lied to him during the broadcast.

Pakcik Mahmud (60 th) adalah pemilik stasiun radio berbahasa melayu yang bernama “Bertuah FM”. Disaat mengalami krisis keuangan ia berusaha mempertahakan siaran berbasis melayu di radionya. Hampir tiap malam seorang pemuda bernama Mail selalu menelpon radio tersebut sebagai pendengar setia. Ketika sedang makan malam, Aisyah anak sulungnya mengusulkan agar Pakcik Mahmud menerima tawaran dari Pak Bambang yang ingin membeli “Bertuah FM”. Namun Pakcik Mahmud marah besar dan Aisyah merasa hal itu akan sulit terwujud karena Pak Bambang adalah seorang pebisnis yang selalu berpikir untung dan rugi. Kenyataan pahit harus dihadapi Pakcik Mahmud, ketika dia mengetahui bahwa Aisyah telah membohongi dirinya ketika siaran tengah berlangsung.

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Director’s Profile

Pajri Andika

Starting his fascination for Malay culture, in 2016 Pajri decided to establish a film community named NIFIKIWA. Until today, NIKIWA has remained consistent to keep incorporating elements of Malay culture in every film they produce.

Berawal dari kecintaan terhadap budaya melayu, pada tahun 2016 Pajri memutuskan untuk membentuk komunitas film yang bernama NIFIKIWA. NIKIFIWA sampai dengan saat ini tetap konsisten untuk terus memasukkan unsur-unsur budaya melayu kesetiap film yang dibuat.

Culas

Goodwork
Indonesia
24 minutes
2021
Drama
Director: Sabrina Rochelle Kalangie
Writer: Aisyah Amirah
Producer: Ridla An-Nuur S., Nurita Anandia W.
Cast: Karina Salim, Galabby Thahira

Yana, a debt collector who works at an unauthorised online loan company, gets caught in a conflict of interest because of her relationship to her best friend, Desi, who is indebted to the company where Yana works. Yana’s sincerity is tested whether she really cares for Desi or expects something else in return. In the end, material things draw partitions among human relations. 

Yana, seorang debt collector di sebuah perusahaan pinjaman online ilegal terjebak konflik kepentingan saat terhubung dengan sahabatnya, Desi, yang menunggak pada perusahaan tempat Yana bekerja. Ketulusan Yana diuji apakah dia memang peduli pada Desi atau mengharapkan hal lain. Pada akhirnya materi menjadi penyekat dalam hubungan antar manusia.

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Director’s Profile

Sabrina Rochelle Kalagie

Sabrina Rochelle Kalagie is a director and writer based in Jakarta, Indonesia. Her love for storytelling led to her decision to switch to the film industry after graduating from the BINUS School of Design in 2014. She started her career as a director of the web-series film “Ben & Jody the Series” which was produced by Visinema in 2016. In 2019. Her feature-length film debut as a director and writer, “Too Handsome”, earned her the 2019 Maya Cup Talented Directing Nomination. She is currently completing her second feature film, an adaptation of the popular soap opera in the 90s, “Noktah Merah Perkawinan”, with RAPI Films. Her background in visual communication design influenced the characteristics of Sabrina’s films.

Sabrina Rochelle Kalangie adalah seorang sutradara dan penulis yang berbasis di Jakarta, Indonesia. Kecintaannya terhadap dunia storytelling membuatnya mantap beralih ke industri film setelah lulus dari BINUS School of Design di tahun 2014. Ia pun memulai karirnya sebagai sutradara film webseries “Ben & Jody the Series” produksi Visinema pada tahun 2016. Tahun 2019, debut film panjang pertamanya sebagai sutradara dan penulis, “Terlalu Tampan”, memberikannya Nominasi Penyutradaraan Berbakat Piala Maya 2019 . Kini ia sedang merampungkan film panjang keduanya, sebuah adaptasi dari sinetron populer di tahun 90-an, “Noktah Merah Perkawinan”, bersama RAPI Films. Latar belakangnya di bidang desain komunikasi visual menjadi salah satu ciri khas dari karya-karya film yang dihasilkan Sabrina.

Membicarakan Kejujuran Diana

Kembang Layar
Indonesia
27 minutes
2021
Drama
Director: Angkasa Ramadhan
Writer: Rien al – Anshari Angkasa Ramadhan
Producer: Rien al-Anshari Linda Ochy
Cast: Nada Novia Maryam Supraba Putri Ayudya

A high school student named Diana Hasyim suddenly experiences fame when her controversial statement and action in a video essay made for Indonesian Language assignment goes viral and triggers a public outcry. She faces a trial convened by her school principal, and Indonesian language teachers who sympathize with her, as well as those from the Ministry of Education and Culture and the Child Protection Agency, Diana has to wait for them to decide her fate. At the same time, Diana has to face her mom’s anger, she thinks that her daughter has humiliated her using the viral video.

Seorang murid SMA bernama Diana Hasyim mendadak terkenal ketika pernyataan dan sikap kontroversialnya dalam sebuah video opini untuk tugas Bahasa Indonesia menjadi viral dan mendapat beragam tanggapan dan kecaman publik. Dihadapkan oleh sebuah sidang yang diadakan oleh kepala sekolahnya, dan guru Bahasa Indonesia yang bersimpati padanya, juga pihak dari Kemendikbudristek dan Lembaga Perlindungan Anak, Diana harus menunggu keputusan tentang dirinya. Bersamaan dengan itu pula, Diana harus menghadapi kemarahan dari ibunya sendiri, yang menganggap bahwa ia telah mempermalukannya lewat video yang mendadak viral itu.

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Director’s Profile

Angkasa Ramadhan

Angkasa Ramadhan is an Indonesian film director and screenwriter, born in Pontianak, 26 April 1988. He started making short films after graduating from Binus International University, Jakarta. Some of his short films made it into international film festivals such as Europe on Screen, Jogja Netpac, and Balinale International Film Festival. Beside writing and directing short films, Angkasa also wrote scripts for several TV series and web-series. In 2018, Angkasa was selected as one of the participants in the South East Asian Film Lab, Singapore International Film Festival 2018. Angkasa was also a participant in LOCK – Full Circle Lab 2019. In the same year, he and Redvinn Studio participated in the development of an animated series supported by Bekraf and was selected to represent Indonesia at the 2019 Asian Animation Summit in South Korea. Currently, with his producer, Rien al-Ansari, Angkasa is developing his first feature-length film script at the 2021 Indonesiana Film Workshop.

Angkasa Ramadhan adalah sutradara dan penulis naskah film Indonesia, lahir di Pontianak, 26 April 1988. Ia mulai membuat film pendek setelah belajar di Binus International University, Jakarta. Angkasa membuat dan memproduksi beberapa film pendek—beberapa diantaranya berhasil masuk ke festival film internasional seperti Europe on Screen, Jogja Netpac, dan Balinale International Film Festival. Selain menulis dan menyutradarai film pendek, Angkasa juga menulis naskah untuk beberapa serial TV dan web-series. Di tahun 2018, Angkasa terpilih menjadi salah satu peserta dalam South East Asian Film Lab, Singapore International Film Festival 2018. Angkasa juga merupakan peserta LOCK – Full Circle Lab 2019. Dan di tahun yang sama, ia bersama Redvinn Studio, ikut dalam pengembangan serial animasi di bawah dukungan Bekraf dan terpilih untuk mewakili Indonesia dalam Asian Animation Summit 2019 di Korea Selatan. Saat ini, bersama produsernya, Rien al-Anshari, Angkasa sedang mengembangkan naskah film panjang pertamanya dalam Lokakarya Indonesiana Film 2021.

Rasa(h)

Kembang Gula
Indonesia
12 minutes
2021
Drama
Director: Reni Apriliana
Writer: Puspa Intan Fitria
Producer: Fanny Chotimah
Cast: Gandhi Asta Yulia Meri Anjani

Jenny (23, a Chinese Indonesian) and Arjuna are in a relationship but due to their different ethnicities, their parents disapprove of their relationship.

To win their hearts, they prepare a dinner serving Javanese Chinese fusion food.

The conversations that happen during dinner attempt to change everyone’s views. The casual banquet then heats up due the tension caused by the clashing of principles.

Jenny (23 tahun, Tionghoa) dan Arjuna (25 tahun, Jawa) menjalin hubungan asmara namun karena perbedaan etnis, orang tua mereka tidak merestui hubungan mereka.

Untuk mengambil hati kedua orang tua mereka, sebuah jamuan makan malam yang menyajikan makanan tradisional Jawa dan Peranakan mereka persiapkan.

Percakapan dalam perjamuan berusaha mengubah pandangan tiap-tiap orang. Perjamuan santai lalu memanas karena ketegangan prinsip masing-masing.

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Director’s Profile

Reni Apriliana

Reni Apriliana, is a director known from her short film directorial debut, “Telur Setengah Matang” (2019). Currently, she is based in Surakarta and active in the film community Kembang Gula.

Reni Apriliana, sutradara yang dikenal melalui debut film pendek pertamanya berjudul Telur Setengah Matang (2019). Saat ini tinggal di Solo dan bergiat di komunitas film Kembang Gula

Kabar dari Kubur

Kinovia & Childhood Gang
Indonesia
24 minutes
2021
Drama, Komedi, Fantasi
Director: Rasyid Baihaqi
Writer: Asmi Nurais & Yasmin Zahra Khairunnisa
Producer: Pawaztris
Cast: Totos Rasiti, Dito Darmawan, Violla Georgie

Not wanting to go back to the dark place, Mr. Hari’s spirit escapes and returns to the world of living. He immediately asks for sincere prayers from his only child, Abdul. However, his invisibility makes it difficult for Mr. Hari’s spirit to communicate with Abdul.

Tak mau balik ke tempat gelap, Arwah Pak Hari kabur kembali ke dunia. Ia bergegas menagih doa yang tulus kepada anak satu-satunya, Abdul. Namun wujudnya yang tak kasatmata mempersulit Arwah Pak Hari bicara dengan Abdul.

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Director’s Profile

Rasyid Baihaqi

Rasyid Baihaqi is a young director who has been making films since 2013. His interest in film started in cinematography but he ultimately decided to direct his own films. He attended the Pusbang Film 2017’s middle-level workshop (cinematography class), School of Seeing from InDocs 2018, Kelas Cerita (Story Class) from Wahana Edukasi 2019, Storytelling Class & Screenwriting Class from Kinosaurus 2019. Several of his short films found success at national and international film festivals.

Rasyid Baihaqi adalah seorang sutradara muda yang aktif membuat film sejak 2013. Ia mengawali ketertarikannya pada film sebagai sinematografer hingga akhirnya memutuskan menyutradarai filmnya sendiri. Ia pernah mengikuti lokakarya tingkat menengah (kelas sinematografi) Pusbang Film 2017, Sekolah Pandang (School of Seeing) dari InDocs 2018, Kelas Cerita dari Wahana Edukasi 2019, Storytelling Class & Screenwriting Class dari Kinosaurus 2019. Beberapa film pendeknya berhasil menembus festival film nasional dan internasional.

Jiwo

Catchlight Pictures Indonesia
Indonesia
22 minutes
2021
Drama
Director: Luhki Herawanayogi
Writer: Luhki Herawanayogi
Producer: Iqbal Mohammad Hamdan
Cast: Ernanta Soeyik Kusuma, Annisa Hertami, Hargi Sundari, Dyah Prima

Jiwo, seorang ayah yang menderita gangguan kejiwaan, berada dalam situasi yang sulit karena harus menikahkan sendiri anak perempuan satu-satunya di tengah tekanan harapan yang besar dari keluarganya.

A father who suffers from mental illness has to struggle with his condition on his daughter’s wedding day, in the middle of a situation that needs him to be a person who his family wants.

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Director’s Profile

Luhki Herawanayogi

Luhki HERWANAYOGI is an Indonesian film director. His short film ON FRIDAY NOON was screened in several international film festivals including the Locarno Film Festival – Open Doors Screenings 2020. His short film HAR was nominated as Best Short Film in Indonesia Film Festival 2018 and won a GOLD AWARD in Viddsee Juree Awards Indonesia 2020. He was an alumni of FLY 2014, Busan Asian Film School 2019, and participated in Producers Network SGIFF 2020. His feature film project Our Son just won an Open Doors Grant in Locarno Open Doors Hub 2021.

Luhki Herwanayogi adalah sutradara lulusan Ilmu Komunikasi UGM. Film pendeknya telah diputar di berbagai macam festival film international dan memenangkan penghargaan, seperti ON FRIDAY NOON yang diputar di Locarno Film Festival – Open Doors Screenings 2020 dan HAR yang diproduseri oleh Nia Dinata terpilih menjadi Nominasi Piala Citra untuk Film Pendek Terbaik di Festival Film Indonesia 2018 serta memenangkan Gold di Viddsee Juree Awards 2020. Dia adalah alumni FLY 2014, Busan Asian Film School 2019, dan Southeast Asian Producers Network 2020. Tahun ini project film panjang pertamanya OUR SON terpilih untuk berpartisipasi di Locarno Open Doors Hub 2021 dan memenangkan Locarno Open Doors Grant.

Ibu Ora Sare

Aranck Project, Elio Studios, Shutter PicturesIndonesia
14 minutes
2021
Drama
Director: Gin Teguh
Writer: Intan Nadya Maulida
Producer: Intan Nadya Maulida
Cast: M. Agha Zaza, Kidung Paramadita

Gogor (8 years old) is having an assignment from school to write about his father. Having no father, Gogor then questions his mother. However, his mother is too busy with work. It annoys Gogor that he can’t finish his writing assignment about his father.

Gogor (8 tahun) mendapat tugas dari sekolah untuk menulis tentang sosok ayah. Karena tidak punya ayah, Gogor pun bertanya kepada ibunya. Namun, ibunya terlampau sibuk dengan pekerjaan-pekerjaan. Gogor jadi kesal karena ia tidak bisa mengerjakan tugas menulis tentang ayahnya.

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Director’s Profile

Gin Teguh

Gin Teguh was born in Magelang, May 7, 1984 as Ginanjar Teguh Iman. He graduated from the Faculty of Teaching and Education, Tidar University. He is a novelist, scriptwriter, and director.

Gin Teguh lahir di Magelang, 7 Mei 1984 dengan nama lengkap Ginanjar Teguh Iman. Lulus dari Fakultas Keguruan dan Ilmu Pendidikan Universitas Tidar. Adalah penulis buku, skenario film, dan sutradara.